Gear Talking
Nov. 17th, 2025 02:21 pmI was recording some scratch tracks yesterday up in my office and I have come to sing the praises of inexpensive gear, because the things you can do with inexpensive gear nowadays are pretty impressive.
Now, you need to have a computer and a DAW to run on it. You can get free DAWs, like Audacity. You can get cheap DAWs like Reaper ($60 for the personal license). Personally, I use Cubase and if I'm recommending a version of Cubase, I recommend Cubase Artist, because the must-have feature is lanes (or comping), which makes it easy to assemble a clean take from multiple takes that all contain flaws, but where you managed to do the right thing at least *once* for every note that you recorded. Other sufficiently good DAWs will have a similar feature (and I note that Reaper seems to have added this in version 7, so good for them!), but this is such a time saver that I wouldn't use a DAW without it. (I also note that the commercial Reaper license is $225, while Cubase Artist is $329 when not discounted, so...)
You need a microphone to record with. I recorded my scratch tracks using an old AKG C1000s, which is my favorite Swiss Army Knife of a mic, because it does a lot of things well enough and it isn't very expensive. Well, the brand-new version is apparently $324. When I bought mine, it was $100. And you can still buy a used one for less than $100 if you shop around.
Then you need to get that microphone's signal into your computer, which means you want an audio interface. My current favorite inexpensive interface is the Universal Audio Volt 2, which is selling for $179. This gets you *two* microphone or line inputs, which is a lot more flexible than one, even if I only used one for my scratch tracks. And the second microphone input only costs you $40, because the Volt 1 is $139. And it comes with a stack of very nice plugins from Universal Audio plus a copy of their Luna recording software. Unfortunately, the comping feature in Luna is not nearly as nice as the one in Cubase.
There are a lot of other nice audio interfaces available with similar capabilities at similar prices, but this is *my* lecture and I like my Volt, so I'll just continue.
I have become very, very fond of the Universal Audio plugin library. Happily, you can *rent* access to it, which is much cheaper than buying it -- although you can also buy huge bundles of plugins for cheap now for much less than I paid for them. And so I recorded one track with both guitar and voice through that AKG C1000s and the Volt 2 into Cubase, then massaged it with nothing except the Universal Audio plugins, plus the Maximizer that comes with Cubase, and got my scratch tracks done and sounding pretty good in short order.
One of my hobby horses is the "Democratization of Technology", where things that were ungodly expensive and hard to do get easier and cheaper to do as advanced tech gets pushed down to prices that lower-end users can afford. And this is a fine example of that, because recording technology is remarkably cheap nowadays.
Figuring out how to use it? That's the hard part. :)
And if you want to see what one of these scratch tracks sounds like, here's one that I posted last year that used the same setup. Wind and Water
Now, you need to have a computer and a DAW to run on it. You can get free DAWs, like Audacity. You can get cheap DAWs like Reaper ($60 for the personal license). Personally, I use Cubase and if I'm recommending a version of Cubase, I recommend Cubase Artist, because the must-have feature is lanes (or comping), which makes it easy to assemble a clean take from multiple takes that all contain flaws, but where you managed to do the right thing at least *once* for every note that you recorded. Other sufficiently good DAWs will have a similar feature (and I note that Reaper seems to have added this in version 7, so good for them!), but this is such a time saver that I wouldn't use a DAW without it. (I also note that the commercial Reaper license is $225, while Cubase Artist is $329 when not discounted, so...)
You need a microphone to record with. I recorded my scratch tracks using an old AKG C1000s, which is my favorite Swiss Army Knife of a mic, because it does a lot of things well enough and it isn't very expensive. Well, the brand-new version is apparently $324. When I bought mine, it was $100. And you can still buy a used one for less than $100 if you shop around.
Then you need to get that microphone's signal into your computer, which means you want an audio interface. My current favorite inexpensive interface is the Universal Audio Volt 2, which is selling for $179. This gets you *two* microphone or line inputs, which is a lot more flexible than one, even if I only used one for my scratch tracks. And the second microphone input only costs you $40, because the Volt 1 is $139. And it comes with a stack of very nice plugins from Universal Audio plus a copy of their Luna recording software. Unfortunately, the comping feature in Luna is not nearly as nice as the one in Cubase.
There are a lot of other nice audio interfaces available with similar capabilities at similar prices, but this is *my* lecture and I like my Volt, so I'll just continue.
I have become very, very fond of the Universal Audio plugin library. Happily, you can *rent* access to it, which is much cheaper than buying it -- although you can also buy huge bundles of plugins for cheap now for much less than I paid for them. And so I recorded one track with both guitar and voice through that AKG C1000s and the Volt 2 into Cubase, then massaged it with nothing except the Universal Audio plugins, plus the Maximizer that comes with Cubase, and got my scratch tracks done and sounding pretty good in short order.
One of my hobby horses is the "Democratization of Technology", where things that were ungodly expensive and hard to do get easier and cheaper to do as advanced tech gets pushed down to prices that lower-end users can afford. And this is a fine example of that, because recording technology is remarkably cheap nowadays.
Figuring out how to use it? That's the hard part. :)
And if you want to see what one of these scratch tracks sounds like, here's one that I posted last year that used the same setup. Wind and Water